It also features great live manual tape work, pulling 1/4″ tape over the heads, simulating sounds of a car speeding out of control and crashing.Īn unexpected element – permanently marring the floor of the vocal booth at BC Studio – is the intense sound of a pack of firecrackers thrown into the booth as Lee Ranaldo screams. I’m struggling a bit with being in the middle of a process that can use a co-pilot, but wanting to do it right. She said she was impressed with my thoughtfulness on the topic, though she didn’t say specifically that she agreed that I had been too intrusive.įast forward a year, and we’re recording Sonic Youth’s Evol at BC Studio. I wanted to get off my chest that I felt I had maybe intervened too much in the recording process of the band’s just-released Bad Moon Rising. On a hot summer day in 1984, I called Kim Gordon from a corner by her apartment in Chinatown, NYC – surprising to me now that that was a fairly normal way meet up about music or art. Sonic Youth – “In The Kingdom #19” from Evol Odds are, you’ve enjoyed at least one record on the list. His personal website lists everything he’s worked on. This only scratches the surface for artists Bisi has worked with. Bisi spoke with Decibel about memories of recording with Sonic Youth, Foetus, Cop Shoot Cop and Live Skull–all of whom have members appearing on a new album from Bronson Recordings, BC35. To celebrate 35 years of BC Studio, Bisi is releasing an album of songs recorded live at the studio, and features members of Sonic Youth, White Hills, Swans, Cop Shoot Cop and more. He’s recorded a staggering number of artists, among them Sonic Youth, Blind Idiot God, Iggy Pop, White Zombie, Swans, Unsane, Helmet and dozens more household names. Martin Bisi and, by extension, his BC Studio, is a key player in the experimental and noise rock scene (and beyond) since the late 1970’s.
0 kommentar(er)
